Eugene Ionesco’s Existentialist Views Essay

Eugene has written 28 evasive actions. His most(prenominal) famous works include The Lesson (1951), The Chairs (1952), and Rhinoceros (1959). -Eugene has been recognized as a leading writer in the Theatre of the Absurd. His plays break down theatrical archetypes of diagram and sequence explore mortality, and introduce outlastential conundrums while utilising over imaginative, unreal and out of the blue humor. The line between fiction and reality is systematically blurred as Ionesco depicts meaningless worlds ruled by chance.Was made a member of the French Academy in 1970, and won a human action of prizes including the Tours Festival Prize for film, Prix Italia, Society of Authors Theatre Prize, fearful Prix National for theatre, Monaco Grand Prix, Austrian State Prize for European Literature, Jerusalem Prize, and honorary doctorates from brand-new York University and the universities of Leuven, Warwick, and Tel Aviv. Contribution to Existentialist Thought and Relation to G uildenstern and Rosencrantz atomic number 18 Dead Eugenes greatest contribution to existential thought comes from developing the building blocks for field of study of the absurd.Eugene popularized nonrepresentational writing techniques to a point which audiences found it acceptable, and used underlying existential concepts in his plays, inspiring future writers much(prenominal) as tom turkey Stoppard. Eugene constantly refers to two main themes throughout his writings loneliness and isolation and having no control over ones fate. The setting of The Chairs provides a great example, in which an old couple 90s only have to each one other in their small house on an island, which represents the isolation.Guil and Ros are constantly alone in their absurd existentialist thought which does not front to bother anyone else, which leads them unable to relate to the people around them and feel alienated. They are physically isolated in their un-determinable location however they are as well as mentally isolated. The two characters have no memory of their past, and as such they shadowernot retain any future goal or goals they may deprivation in the future they are isolated to the present, and as such they can only react to things happening around them, rather than seeking tasks for the onward motion of themselves.Guil expects that the letter they are bringing to the king will tell him their conterminous task in demeanor. He says there may be something to keep us going a bit. Ros then asks, And if not? to which Guil replies, Then thats it, were finished (Stoppard, 96). Stoppard shows here how little control Ros and Guil have over their knowledge life. Eugenes work focuses on human existence and trivia of casual life. Rhinoceros is bold enough to say sometimes I curio if I exist myself. Eugene constantly challenges the meaning of life and what it means to exist in his writing.Stoppard compliments this topic as well, as demonstrated when Guil and Ros p rototypic gain consciousness on the boat. Guil converses with Ros by saying were not finished, then? Well, were here, arent we? Are we? I cant see a thing. You can still think cant you? I think so. You can still talk. Ah Theres life in me yet. (88). Stoppard explores the idea of living within a conscious mind, and no body, and only had thought and a voice in the dark. Restraint receivable to social norms is another major theme throughout Eugenes writing, specifically in Rhinoceros.One of the main reasons Eugene wrote Rhinoceros, was to explore the mentality of those who so well succumbed to Nazism. Ionesco wanted to mock the German fascist movement by having characters in his book all turn into rhinoceross because everyone was talking some it and doing it themselves, which leads to one of Eugenes main existential opinions that one must break away from conformity and commit oneself to a significant cause to form life meaning. Eugene has people in his plays repeat ideas ot hers have say earlier, or simultaneously say the same things.Not only do Guil and Ros constantly repeat each other when they lack the originality or purpose to say something new, Stoppard takes lines directly from Shakespeares Hamlet, and has Guil and Ros unknowingly change to Shakespearean side and speak Shakespeares words whenever they converse with other characters from Hamlet, for example when first off meeting Claudius, they say We both obey/ And here give up ourselves in the full bent/ To lay our service freely at your feet/ To be commanded (27-28).Their inability to control their language and their conformity with the original play demonstrates the lack of control they have over their destiny, as if it was planned.